Implantology : The art and science of diagnosis, treatment, maintenance, and problem management of implant based medicine.

Implant, the project of LEN LEMEIRE, has been trying to contribute to the already massive inheritance of the Belgian electronic scene since 1992.
8 full length albums, 7 EP's, uncountable remixes and several productions later, one can only agree that the music itself is the universal language. It was because of his music that Len teamed up with several of the early pioneers of electronic music.
When ANNE CLARK heard Len's remix for ‘Sleeper in Metropolis', Implant became the electronic live band of ANNE CLARK for 5 years, resulting in guest contributions of Anne on 2 albums (‘Audio Blender' and ‘Self Inflicted').

When Jean-Luc de Meyer (FRONT 242) heard an implant track, he decided not only to contribute vocals for 1 track, but a full blown new project was born under the flag of 32CRASH.

Building on a live reputation with concerts all over Europe and a short visit to the USA , Implant is ready to engage in another musical adventure called : ‘Implantology', an attraction sonic pole where all the various musical orientations IMPLANT went through in his lustrous career converge and unite.

Keeping the innovation flourishing, IMPLANT forge the frontiers of eclecticism and sound diversity more than ever before and even manages this time injecting some acoustic guitar sounds into their impressive mélange of modern electronics, eighties melodic less-is-more flavors, industrial dance beats and beautifully contrasting male/female vocals. Len is here once again surrounded by prestigious guest vocalists like his partner in crime FRONT 242's Jean-Luc De Meyer, but also THE NEON JUDGEMENT, PSY'AVIAH, PLASTIC NOISE EXPERIENCE or yet ANGELSPIT!

2017
Four years after “The Productive Citizen”, IMPLANT is soon to be back with their new full length release “Oxynoxe-X”. Meanwhile here comes a first sonic glimpse on the new album with this EP single “The Phone Call”, a medium tempo dance track we can describe as a mix of classic EBM with fresh electro à la Dewaele Bros. A track integrally composed on a Doepfer A100 modular synthesizer to which frontman Len Lemeire gives body through some easy vocal hooks stigmatising the struggle and downside of our social-media-dominated hi-tech society.

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